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SHOWREEL - district police

's showreel with some scenes from the District Police. Enjoy.

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WAITING

This November 4th I turned 25. Scorpio pure distillate. Ok. I know there would be depressed. But I will tell you that it's okay. Indeed. Tuttosommato better than twenty-five and twenty-four. Of course when they are twenty-eight or twenty-nine then it is the most complete panic. And then I did not bring me down, because that date will go down in history for the election of Obama. So yesterday I was in good company. Do not write a long blog on because they are a perennial Sato WAIT, WAIT AND WAIT. I remember an interview with Mastroianni that the question "What must have an actor to do this job? ", he replied: "Patience . This is a work in which much is expected. Indeed, one can say that you are always in waiting for someone or something. " My expectation, however, is not passive. They are in full pre - production of the short film "Another morning " I wrote and will direct. If all goes well 14, 16 and 17 will be three working days. Francesca Allegra is my assistant director and is proving invaluable for his work and its quality. Meanwhile, for the record, aired the episode of Police District in which the protagonist had to bet. Soon will be a showreel with some scenes. Obama has sent us the message that somehow "nothing is impossible." It 's a message that conveys strength. I read in huge letters in the newspapers disposable and browse the passengers on the subway. Above our heads Rome's great. And once it came out, I still want to cross the streets. Huge, gigantic. Inghiotterile to walk, one step at a time without stopping, all the way home.

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DIVIDED

September. So, then ... sums up and leave again. Rome. Cinecittà. I walk on the remains of the set of Gangs of New York and I do babbacione for a quarter of an hour imagining Scorsese and company around me. Come on ... you did not you do? But then I stop and I'm going to concentrate on the last turn poses District Police. The episode, "Honor your father", should go on the air, except for miscalculations, Thursday, October 30. The budget for the debut on TV so far is good. I met by all great kindness and availability. Sure, it's to see who will come to an end. Let's hope so.

Meanwhile, I started pre-production of "Another morning, "a short film that I wrote the screenplay and also directed that heal. To me it's another novel experience. The production, composing the crew, do the test (the other side finally!) and above estimates do .... There is no doubt. The theater is something waaay more fun, lively and stimulating. But I hope that here too the thing is going well, also because I feel the urgency of tell this story, maintaining the enthusiasm with which I have written. Then, again in September, I expect a major test for "They Call stooge" , the show produced by our company Daf , directed by Mario Gelardi (you've seen on a RAI to the awarding of the Olympics? "I'm really happy that his work continues to gain recognition on GOMORRAH). These days will subject the show to distributors and institutions that buy tatrali hoping. Meanwhile, there is certainly that in February of 2009 we will be in children's theater program of the Vittorio Emanuele in Messina. In short, a lot 'of sloshing and commitments, but a great desire to do. September. Let me know as soon as possible.

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SALOME '

There 's been. On 1 and 2 August the hall of the convention center was full of Taormina and the audience appreciated our work. There is a great pleasure and satisfaction for a type of show like this is not easy to the audience. Then there is the satisfaction for having achieved one of the most successful shows in the calendar of Taormina Arte 2008, showing that it is important and right to invest on young filmmakers, as Giampiero Ciccia, and riskier projects. remains, however, regret that they were hired for one month of work aimed at only 2 replies. It 's a strong displeasure for an actor because svlisce all the effort and energy put into the field. You can not compare yourself with the reactions of different audiences, you can not show your work to criticism, you can not evolve Regarding your work actor. It remains, therefore, a happy little feeling of uselessness. We would have to write much at this point. But I prefer to preserve the memories of this important experience, everything that I learned once again confronted with a difficult and demanding character. My teacher once told me: "Be aware that this job needs to be addressed by looking at the results you get in a little, thinking of talking to a limited number of people. Why is the theater for a few. And 'a few who you have to look. " So I brought along the love and friendship of the entire company : Giampiero Ciccio, Annibale Pavone, Luca Fiorino, Federica De Cola, Carmen Panarello , the valuable work of Charles Tuft, Marco Carroccio Renzo and Di Chio . And the moving looks of those "few" who filled the two nights of our "Salome."

Photo: Umberto Blacks

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TEST TEST TEST

They proceed with the tests Salome Giampiero Ciccio (here I am on the side during a test). The first andthe August 2nd we will be staged in Taormina. About this site http://www.taormina-arte.com/portal/calendario.asp . Meanwhile, not content with punishing these tests, I made a "special appearance" in Hyeros , a show staged on 18 and 19 July in the ancient theater of Tindari, directed by Anna Nicole Cali with Galiena (a charming woman), Gigi Maria Burruano and many young people in recent years have worked in the workshops held by the director. I played one of the Dioscuri, Castor and Pulluce, sons of Zeus and the founders of Tindari. A wonderful experience that gave me the opportunity to meet interesting people. See you in Taormina, then.

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SALOME' IN TAORMINA ARTE

I started nine days from the rehearsal of "Salome," directed by Giampiero Ciccio that will play the 1 and 2 August in Taormina Arte. It 's hard, you die of heat, but of course I hope that will come out a nice job. With the same group last year we went on stage, always in Taormina, with state of siege in Camus, professional and human experience really nice. Perhaps I could say that thanks to that show of my work has taken another turn with respect to how it was going after school. So I will always be grateful to the director giving me quell'oppurtunità. This show, however, is very different from the previous year. It breathes a different atmosphere. Text by Oscar Wilde, there is nothing, everything has been rewritten and I play John the Baptist, but it is wrong to say so because it is a character far removed from any religious or biblical reference to the figure of the saint. More than a character entity is animalistic, a bit 'tarantolata, that the prophecies found in the mouth of prophets, from Baudelaire to Pasolini. But it is still early to talk about .... Meanwhile, for the sake of the scene, I have to make me grow a beard, something never done in my life .... and the heat, I assure you, does not help.

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Let's face it: if Italy had this form here, with close to Rome, Sicily and Sardinia a bit 'further down, who knows what would have happened. Better or worse I do not know, but definitely different. And I certainly would not have done so in-depth knowledge by the means of transport, starting dall'intercity Plus 731 "Archimede". For the third time in a month I was on board that train to get on and off from Rome. A journey - I swear - grueling, where every time I go out at least one year old. I finished another installation for District Police and that's enough. I do not want to hear even the smell of a railroad at least until August!

In Sicily, I went to the scene with another replica of "King Without nor kingdom," the literary Horcynus Horca park on Saturday night. Public happy. Now I await the evidence of the new show produced by my company DAF, which focuses on one of the most fun of traditional Sicilian folk and more: stooge. To direct the show will be Mario Gelardi who today comes from Naples, just back from the successes of Gomorrah, which has signed written and directed (this morning received the news of the nomination for the Olympic awards as a playwright). To interpret it besides me, there is an actor as inhuman Luca Fiorino, a friend "true", and the super friendly of Federica De Cola , with whom we worked last year in "State of Siege." It will be a bit 'hard, since we have only twelve days and then, in turn, will begin rehearsals for a production of Tao Art. Ready, set and go.

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ITALY THAT I WOULD LIKE TO DEBUT AT THE THEATER DISTRICT

the fly! Twenty days that I do not write on the blog. Twenty days full of good news and not so much slamming. Replica Chantecler theater Argentina (it was fine, an average of 400 visitors a day), test, back down in Sicily for a couple of days (which is was shown to the public the short " Punctual and seconded " I wrote and in which I play, directed by Francis barrel) and now back in Rome to make his debut in one of the most popular Italian fiction as I understand it. I started shooting yesterday a new episode of the series of District Police . I play Enrico Severi, a boy violent and destructive, the parent company of punitive expeditions against transvestites and homosexuals. A type of guy, as we know, the star of many recent news stories. The first day of shooting left me happy, but this will be discussed in September, when it will finish the pose. Meanwhile, down and down again in June to begin the new project with my company DAF, of which I will write soon. Tomorrow, tomorrow up, catapult me \u200b\u200bto the cinema to see Il Divo , giving vent excessive admiration I have for Toni Servillo. It is not only of admiration to his interpretations. What I admire most is that every artistic choice is the result of a path. Behind every success to find out years of work his company Theatres U.S., years in which the arts and human relationships have led, through hard work in the field, the specific choices, identity and the results simply admirable.

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CHANTECLER ARGENTINA

Here! "Chantecler "debuted last night. The audience at the Teatro Argentina in Rome welcomed him triumphantly. Great laughter and applause, joy and satisfaction of tutti.Tra the people in the room there were so many famous names, by Daniele Silvestri Preziosi, by Nicola Piovani that adorable psychopath Alessandro Haber. "Chantecler" is a show very choral already staged last year in Catania, Naples and Messina. On the stage we are more than twenty actors and musicians, all birds to interpret and animals of all kinds (the costume designer Silvia Polidori, awarded an Olympic last year). It 'a show born in the sign of excess. lots of music (composed Gragnaniello), many colors, a polyphony of dialects, French, aphorisms, poems, songs, quotations, by Enzo Moscato, which has virtually rewritten the original text of Rostand, giving it a great power play. All directed by Armando Pugliese, already familiar choral performances and contamination between theater and music (his is the director of the unfortunately-just-hit musical "Salvatore Giuliano" Dino Scuderi). Now we have two weeks (without even a double - vivadio!) To Sunday 18. Meanwhile, begins to take its first baby steps "the new project of my company of Messina, the DAF. But more about that later ...

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Gomorrah TV

The danger - such as claims Roberto Saviano - is that everything is reduced to folklore, a local crime news, a characteristic fact, almost "touristy" of a land accustomed to see in all colors.

are then "word" and "reasoning" to scare the boss, the Schiavone, Iovine's in office, using the first control over the territory as a springboard to make money elsewhere for their illegal business, turning them into high finance in international investment, fashion, weapons, drugs or garbage. The theater, never as in these cases, it can become one of the strongest remedies to stir something within us, a sort of sounding board that stops the words, giving them a strength, energy that often overwhelmed as we are the most diverse information, we do not understand. Take the beginning of "Gomorrah," the spectacle of the Mario Gelardi, broadcast Friday on two rai. The face of Ivan Castiglione who played Roberto Saviano. But play is perhaps the wrong word. It was "the service" message, the cry of Roberto Saviano, providing his body and his voice actor. Those words came back with a force, an enormous energy, seemed almost split the TV screen. And this is the feeling I had watching the show often. That actors Ivan Castiglione, Francesco Di Leva, Antonio Ianniello, Giuseppe Miale di Mauro, Adriano Pantaleo and Ernesto Mahieux , broke the television screen, making them feel the need to those who watched from home, being there with them, to attend the live "theatrical fact" that amplified more and more "words", the " reasoning "of the book by Saviano. This is certainly not an easy job "actors writing" from the theater building. Not a job to define good or bad. But work needed to be addressed and courageous life.

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TOUR DE FORCE OF THE BOAT

last days of "The Boat of Comedy" at the Piccolo Teatro Studio in Milan. Then I expect the evidence of the recovery wheel of CHANTECLER E. Rostand, for directed by Armando Pugliese, a show which I attended last year and will be back on stage at the Teatro Argentina in Rome in May. And here are shown, just to get an idea, a tour de force which I will submit these days: Monday, posting of "The Boat of comedians" from Milan in Latina (Rome), replies to 24, then down to Sicily commencement of the tests of "Chantecler" 26 to 28 (and I will back and forth Messina - Catania for three days), then great travel by plane to Rome and from there by train to Avezzano where 30 is my last reply of " The Boat of comedians' and then on May 1 ..... Absolute rest (or urgent admission to a clinic). And then try directly from 2 in Argentina in Rome, to debut on 6. Eh?
The life of the actor is a treat ... carries travel, trains, planes, toil, sweat, hopes, anxieties, people really care that you expect (when located close ...). Save it Meanwhile, this week we got a new government. But this is not the forum in which to talk about it. Here I only write about theater, dreams of beautiful, if sometimes surreal, and not terrible nightmares that become reality. See you soon!

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Comedian / 3

Review by Wanda from Castelnuovo "Teatro.org"

A welcome return "The boat of the comedians, not just for show young people, but to find in us that 'little boy' who knows how to have fun, enjoy and appreciate a representation built with simplicity of means and people, but no less beautiful and fascinating for the sustained, lively, poetic, almost magical flow between theater and life, and realtà.Si narration tells a true story of the life of Carlo Goldoni (Venice 1707 - Paris 1793): not fond of studying philosophy, fascinated by the art of acting and deeply nostalgic and beloved mother of their land The young Goldoni - a student - suffers the subtle seduction of a group of comedians just when the viewer of the work of a 'commedia dell'arte' now in crisis reflects the theater and look him in the first stage of that revolution insights that will give rise to the 'comedy' character, in which private actors reciting a script masks scritto.Lo show, created in celebration of the three hundredth anniversary of the birth of Goldoni and partially renovated as actors, tells the fantastic voyage by sea from Rimini to Chioggia, truly existential allegory of his trip aboard the 'ship of the theater' which will not fall over, even when apprestatosi writing the "Memoirs" , the pen will thrill of talking about memories of this extraordinary world and especially in this episode which human experience has grown in the knowledge of vita.Strehler, endorsed these vibrations, had in mind to bring them on stage and the project is partly become reality thanks to the pleasant story and directed by Stefano de Luca, first-year student of the school founded by Strehler, and four extraordinary actors - not saving energy consumed generously overflowing - they are surely destined for more success given the results of this piece, from which you leave with a smile in the eyes and heart of a blue cloth, capricious sea surface and the many extraordinary sequences of coquettish shades, magnificent examples of teatro.Milano, Small (Studio Theatre), March 27, 2008

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COMEDIANS OF THE BOAT / 2

discovered a video on youtube with a short fragment of the "boat of the comedians."

We are still on stage in Milan until April 20. Alerted all you can and alert, if you can not make a trip to Milan, check out http://www.youtube.com/watch?v=fSohRkZrFEk

's really a flash and filming of a scene are never much. But it's better than nothing.

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Hard to believe, but in Milan, near the house where I live is a stream populated with ducks.

I'm two steps away from the ship and looking out the window I see this family of ducks running around the meadows. Does not seem to Milan. "The boat of the comic debuted a week ago and, as I wrote, I am very happy. It does not seem to stay at the Piccolo (in the sense that for me this place has always been connected to the school, so for years, "dark", detached from human contact with the world). Do not even look like me when I work so well!

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IT DOES NOT SEEM FAIR TO THE SMALL BOAT OF COMEDIANS

resume Thursday in Milan reruns of "The boat of Comedy "The show created and directed by Stefano De Luca produced by the Small and Teatro Gioco Vita. E 'for almost a month since we debuted, starting a tour that took us to Piacenza, Lugano, Alessandria, Valenza, Treviso and the legendary Bust Garolfo in the province of Milan. Now we will stop at the "Teatro Studio del Piccolo in Milan and will be staged from March 27 until April 20. I am very happy with this, and I can not wait to address this second part of tour after the break for the Easter holidays. From one of the most famous and romantic episodes in the life of Goldoni - fleeing a teenager on a boat that toured a company of comedians - the show recounts the initiation stage the famous writer. And it does so carefree and fun, with a staging full of visual impressions, shadows and music. Florindo I play, the actor-manager of the Neapolitan theater company. I do not want to talk about because it is more than an experience that is still ongoing and that I share with other "fellow travelers" (Marta Comerio, Tommaso Banfi, Adriano and Giorgio Minneci Todeschini). But really I invite everyone to come see it. Who does this job in the theater knows how rare it is to work in a production that you really like. But this seems to be a wonderful exception. And consider it a privilege to join.

(photo: Margaret Busacca)

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Parrini POLITICAL THEATRE

back from Catania, tired but happy to have done, perhaps until now, the most successful reply of "No king or kingdom," the reading I play and that I adapted from the novel by Domenico Seminerio published by Sellerio. The reasons are many: first), a beautiful theater - the theater club - in the heart of Catania, a stone's throw from the Duomo. A little gem with a beautifull sound and a cozy lounge. second) there was room in the legendary prof. Seminerio, author of the book (which in March, again for the upholstery will be released "The manuscript of Shakespeare") that in the end, touched, thanked me. party) to an audience warm and above all a unique group of friends who helped me in setting. This is the eighth
replica of "No king or kingdom," began two years ago now show that the DAF carry around between reviews municipal, provincial and regional authorities. But this

of 22 February was also important because it offered a replica of his artistic contribution to a noble cause. Prevent that the theater club closes.

For all info please visit this link: http://www.guidasicilia.it/ita/main/news/index.jsp?IDNews=29666

Paola Greek explains the reasons for this unjust closure and its battle to prevent the case. I do not just have to draw some considerations: it is a crime that an area so interesting, rich and nice to be closed. The responsibility of this closure, then, is all of the curia which has claimed the space (rent in Paola Greek) to generate a clerical office to hold meetings of the club of St. Agatha and families of catechism. Bah.

It seems to me that the theater you do outside the circuit of the buildings, abandoned by the institutions and the real courage to private entrepreneurs who invest their own pockets, sailing in troubled waters and there is always more to come to terms with two social figures. Parrini and politicians by half a point. First, managers of facilities that they use for their purposes, reluctant to make them available to theater groups extraparrocchiali. The latter, eager for the fourth order of events approved to satisfy the usual guy-and-so.

Hopefully in the coming days to have a blatant denial of Catania and the priests renew the contract with Paola Greek and its activities, set up thanks to Nando Greek father and carried on with great sacrifice for most of quarantacique years.

Prox. replica of the show: Tuesday, March 25 at 18:30 Great Hall Institute "Antonio." Messina.

And then the next day back to Milan for "The Comedians of the boat."

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PARADOXES COMPARED

summary Diderot:
1) the emotion does not repeat a command, it is impossible to hear with the same intensity;
2) we must study and reflect the expression of the actor to enter into a system established;
3) the emotion is formed in an artistic representation through a process that is not comparable to what it regards episodes of natural life;
4) the plaintiff in full possession of his means is a mature actor, and not that young;
5) the findings of fact on the control of the actors show the need for blood or cold or the substantial lack emotion;
6) is concluded with the recitation of the evidence and the replicas, ie when the original enthusiasm has passed
7) paralyzes the thrill: you can not do two things at once, for example, be moved and retain their critical sense.

"When have begun to devote to the theater? ". So. I do not know.

Or rather, I do not remember a peridodo where I did not want to do this or else.

But wanting to always start with the debut on the stage I would say thirteen years ago. A huge amount to think about it. Thirteen years in the morning I wake up and for better or worse job of the day for the theater. I'm just dead. There is no remedy now. There 's been. the eleven of eighteen as a joke (so to speak), then eighteen to twenty-one to learn (by cutting ties with the living, holy God) and from twenty to twenty-two for a living (I exaggerate a bit'...). And so this constant churning, insecure, uncertain, full of energy, love, racing and sweat, still continues. It is paradoxical, if you will, that is food as I go along. An open challenge. A beast ready to bite again.

The paradox on the actor "appeared in 1830, and to see her in a way, shows you there's nothing new under the sun for a long time. The paradox is that the actor has to move the feelings of others. His, however, must remain polished, tested, analyzed, put a brake on, ready for the entertainment of others, not for her. So, assuming good idea, for thirteen years, I could say I tried a setting in order of my life as a workbench to keep clean so as not to mess at the time of the action.

But is it really so tidy? And above all: it is right that it is?

Maybe. Although, let's face it, want a life in order is an absurd claim. Because life has shown me that you can not rein in any way. But the fun for me, contrary to what he writes Diderot, there is. Or at least from now on I want you to be there. Think this job without fun it would be a tragedy. Understand it was not easy. A real paradox.