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IT DOES NOT SEEM FAIR TO THE SMALL BOAT OF COMEDIANS

resume Thursday in Milan reruns of "The boat of Comedy "The show created and directed by Stefano De Luca produced by the Small and Teatro Gioco Vita. E 'for almost a month since we debuted, starting a tour that took us to Piacenza, Lugano, Alessandria, Valenza, Treviso and the legendary Bust Garolfo in the province of Milan. Now we will stop at the "Teatro Studio del Piccolo in Milan and will be staged from March 27 until April 20. I am very happy with this, and I can not wait to address this second part of tour after the break for the Easter holidays. From one of the most famous and romantic episodes in the life of Goldoni - fleeing a teenager on a boat that toured a company of comedians - the show recounts the initiation stage the famous writer. And it does so carefree and fun, with a staging full of visual impressions, shadows and music. Florindo I play, the actor-manager of the Neapolitan theater company. I do not want to talk about because it is more than an experience that is still ongoing and that I share with other "fellow travelers" (Marta Comerio, Tommaso Banfi, Adriano and Giorgio Minneci Todeschini). But really I invite everyone to come see it. Who does this job in the theater knows how rare it is to work in a production that you really like. But this seems to be a wonderful exception. And consider it a privilege to join.

(photo: Margaret Busacca)

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Parrini POLITICAL THEATRE

back from Catania, tired but happy to have done, perhaps until now, the most successful reply of "No king or kingdom," the reading I play and that I adapted from the novel by Domenico Seminerio published by Sellerio. The reasons are many: first), a beautiful theater - the theater club - in the heart of Catania, a stone's throw from the Duomo. A little gem with a beautifull sound and a cozy lounge. second) there was room in the legendary prof. Seminerio, author of the book (which in March, again for the upholstery will be released "The manuscript of Shakespeare") that in the end, touched, thanked me. party) to an audience warm and above all a unique group of friends who helped me in setting. This is the eighth
replica of "No king or kingdom," began two years ago now show that the DAF carry around between reviews municipal, provincial and regional authorities. But this

of 22 February was also important because it offered a replica of his artistic contribution to a noble cause. Prevent that the theater club closes.

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Paola Greek explains the reasons for this unjust closure and its battle to prevent the case. I do not just have to draw some considerations: it is a crime that an area so interesting, rich and nice to be closed. The responsibility of this closure, then, is all of the curia which has claimed the space (rent in Paola Greek) to generate a clerical office to hold meetings of the club of St. Agatha and families of catechism. Bah.

It seems to me that the theater you do outside the circuit of the buildings, abandoned by the institutions and the real courage to private entrepreneurs who invest their own pockets, sailing in troubled waters and there is always more to come to terms with two social figures. Parrini and politicians by half a point. First, managers of facilities that they use for their purposes, reluctant to make them available to theater groups extraparrocchiali. The latter, eager for the fourth order of events approved to satisfy the usual guy-and-so.

Hopefully in the coming days to have a blatant denial of Catania and the priests renew the contract with Paola Greek and its activities, set up thanks to Nando Greek father and carried on with great sacrifice for most of quarantacique years.

Prox. replica of the show: Tuesday, March 25 at 18:30 Great Hall Institute "Antonio." Messina.

And then the next day back to Milan for "The Comedians of the boat."

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PARADOXES COMPARED

summary Diderot:
1) the emotion does not repeat a command, it is impossible to hear with the same intensity;
2) we must study and reflect the expression of the actor to enter into a system established;
3) the emotion is formed in an artistic representation through a process that is not comparable to what it regards episodes of natural life;
4) the plaintiff in full possession of his means is a mature actor, and not that young;
5) the findings of fact on the control of the actors show the need for blood or cold or the substantial lack emotion;
6) is concluded with the recitation of the evidence and the replicas, ie when the original enthusiasm has passed
7) paralyzes the thrill: you can not do two things at once, for example, be moved and retain their critical sense.

"When have begun to devote to the theater? ". So. I do not know.

Or rather, I do not remember a peridodo where I did not want to do this or else.

But wanting to always start with the debut on the stage I would say thirteen years ago. A huge amount to think about it. Thirteen years in the morning I wake up and for better or worse job of the day for the theater. I'm just dead. There is no remedy now. There 's been. the eleven of eighteen as a joke (so to speak), then eighteen to twenty-one to learn (by cutting ties with the living, holy God) and from twenty to twenty-two for a living (I exaggerate a bit'...). And so this constant churning, insecure, uncertain, full of energy, love, racing and sweat, still continues. It is paradoxical, if you will, that is food as I go along. An open challenge. A beast ready to bite again.

The paradox on the actor "appeared in 1830, and to see her in a way, shows you there's nothing new under the sun for a long time. The paradox is that the actor has to move the feelings of others. His, however, must remain polished, tested, analyzed, put a brake on, ready for the entertainment of others, not for her. So, assuming good idea, for thirteen years, I could say I tried a setting in order of my life as a workbench to keep clean so as not to mess at the time of the action.

But is it really so tidy? And above all: it is right that it is?

Maybe. Although, let's face it, want a life in order is an absurd claim. Because life has shown me that you can not rein in any way. But the fun for me, contrary to what he writes Diderot, there is. Or at least from now on I want you to be there. Think this job without fun it would be a tragedy. Understand it was not easy. A real paradox.