The danger - such as claims Roberto Saviano - is that everything is reduced to folklore, a local crime news, a characteristic fact, almost "touristy" of a land accustomed to see in all colors. are then "word" and "reasoning" to scare the boss, the Schiavone, Iovine's in office, using the first control over the territory as a springboard to make money elsewhere for their illegal business, turning them into high finance in international investment, fashion, weapons, drugs or garbage. The theater, never as in these cases, it can become one of the strongest remedies to stir something within us, a sort of sounding board that stops the words, giving them a strength, energy that often overwhelmed as we are the most diverse information, we do not understand. Take the beginning of "Gomorrah," the spectacle of the Mario Gelardi, broadcast Friday on two rai. The face of Ivan Castiglione who played Roberto Saviano. But play is perhaps the wrong word. It was "the service" message, the cry of Roberto Saviano, providing his body and his voice actor. Those words came back with a force, an enormous energy, seemed almost split the TV screen. And this is the feeling I had watching the show often. That actors Ivan Castiglione, Francesco Di Leva, Antonio Ianniello, Giuseppe Miale di Mauro, Adriano Pantaleo and Ernesto Mahieux , broke the television screen, making them feel the need to those who watched from home, being there with them, to attend the live "theatrical fact" that amplified more and more "words", the " reasoning "of the book by Saviano. This is certainly not an easy job "actors writing" from the theater building. Not a job to define good or bad. But work needed to be addressed and courageous life.
