OEDIPUS THE ANIMAL 
The best word to define a theater artist seems to have understood that it is not" good "but" animal. " The animals in the noble sense, of course. Animality that expresses grace, ability to investigate human emotions to the end and also to create awe and wonder in the viewer. If this is true all this, we can say that in these two wonderful years " stage animal "running all over Italy and wide shared the stage with their performances. It is Enzo Vetrano and Stefano Randisi . I have seen and appreciated their work when I was fourteen. I still remember the images, sounds and atmosphere of cap and bells. Then came Amphitryon and The Merchant of Venice . After years of school I've found the Little witnessing a splendid staging of Man, Beast and Virtue . Now I'm back from the vision of Jack Think , their last show. Often, the theater, having an appointment "alive" between actors and audience, can give you great joy, but it is also true that when the show is bad, the disappointment is huge, much more annoying and frustrating than it is going to test to the movies in front of a bad movie. And the disappointment of those who exit the theater often results in the thought that "I am a spectator, do not understand, or necessarily the theater to be" heavy ", a place where the nature of things must be sacrificed to boredom and to yawn. More so in the field there are authors such as Pirandello. From personal experience I can say that some staging of Pirandello in recent years have led to this thought gained the upper hand among the spectators, even among experts. Well I wish them all over the shoulders and Glasper Randisi that have made in recent years specifically to Pirandello. Exit from their shows with the desire to read or reread his works, because of the freshness, humor, drama and visual force that can transmit. One way to tackle the classics with the eye and even the "broken bones" of those who come from experimentation and has built its relationship with the public square after square, city after city, show after show. A path very similar to that of Toni Servillo and his company landed the classic after so many years of experimental theater. So, as a young actor, I think it's important to look at these examples where behind every artistic choice is a past full of love and passion for this job. A past that allows the ' animal to come out to represent, and tell us to imagine, contrary to what some think, all you have to say to the theater.
"One evening I sat down on the bed in my hotel room on Bunker Hill in the heart of Los Angeles. It was a very important moment of my life ...." Quest'incipit one of the most beautiful novels I've read, I often head in the company, especially when traveling. When I was in a hotel in Turin to shoot a film, last week, it was impossible not to reconsider. The film marks my real screen debut in a small role, but intense if you will. But it will be better to talk about it later, at least when they have finished shooting. Meanwhile, we have almost finished the post - production of my short film, Another morning, and even for that I refer as soon as possible. Next week in Rome early tests Oedipus Rex with Branciaroli Franco and directed by Antonio Calenda . The work will keep me busy until May and I hope will be an important opportunity to study and know more about Branciaroli, struggling with an epic character like Oedipus and immortal. We'll see. "... So, I had to take a decision in respect of the hotel. Or was paying or I was leaving. Well, was a big problem. Worthy of attention. I resolved it by turning off the light and andandomene to bed. " 
